From Here Muhammad Got the Idea of the Buraq
Imagine a so-called prophet, a self-proclaimed messenger of God, claiming a divine vision of riding a winged, lightning-fast beast from Mecca to Jerusalem and up to the heavens. This is the fantastical tale of the Buraq, central to Islam’s Isra and Mi’raj narrative—a story peddled as miraculous revelation but reeking of ancient pagan plagiarism. Muslims revere the Buraq as a pure, heavenly creature, yet scratch the surface, and you’ll uncover its shameless roots in pre-Islamic myths from Persia, Greece, and Arabia. This isn’t divine inspiration; it’s Muhammad rifling through the cultural scrapheap of his time, cobbling together a satanic fraud to dazzle illiterate desert tribes. In this exposé, we’ll dismantle the Buraq myth, expose its borrowed features, and reveal how Islam’s core legends are nothing but recycled idolatry masquerading as truth.
What Is the Buraq? Unmasking the Hadith’s Ridiculous Fabrication
Islamic hadiths—those second-hand tales compiled centuries after Muhammad’s death—lavish the Buraq with absurd, over-the-top descriptions designed to awe the gullible. Sahih al-Bukhari, narrated by Anas ibn Malik, calls it a white animal, larger than a donkey but smaller than a mule, with wings, a face like a shooting star, and the ability to stride from horizon to horizon in one step. It sweats musk, bows subserviently, and even sports human-like features in Islamic art, blending horse, angel, and humanoid into a grotesque chimera.
Proponents gush over its purity and name, derived from Arabic barq (lightning), symbolizing divine speed. Persian miniatures and Ottoman paintings depict it as a noble steed, bridging earth and sky. But let’s call this what it is: a hallucinatory mishmash, fine-tuned for shock value in 7th-century Arabia. Muhammad, far from illiterate genius, was steeped in caravan gossip from Persian Zoroastrians, Byzantine Christians, and Jewish traders. The Buraq didn’t descend from Allah; it galloped straight out of Muhammad’s fevered imagination, polluted by pagan folklore. This creature’s divine details scream fabrication—pearl-sweating? Horizon-leaping? It’s cartoonish propaganda, not prophecy.
The Night Journey: Muhammad’s Psychedelic Plagiarism Exposed
The Isra and Mi’raj, dated to around 621 CE, is Islam’s blockbuster miracle story, vaguely nodded to in Quran 17:1 and bloated with hadith embellishments. Angel Jibril fetches the Buraq from the Kaaba, zips Muhammad to Al-Aqsa for a prophets’ prayer party, then rockets him through seven heavens to chat with Allah—face-to-veiled-face, no less (a journey that brings him near Allah’s throne, which Islamic hadith bizarrely describes as being held by giant mountain goats). This justifies the five daily prayers and props up Muhammad’s ego as super-prophet. Fantastical stories involving animals were a common theme in these narratives, including one where he supposedly conversed with his personal donkey.
Muslims flock to the Buraq Wall in Jerusalem, tying their own horses there symbolically during Hajj fever dreams. Laylat al-Mi’raj parties worldwide celebrate this nonsense. But context screams deceit: Mecca was a pagan hub, Kaaba stuffed with 360 idols. Muhammad, failing merchant turned raider, needed a win amid persecution. Enter the Buraq—a borrowed blockbuster to rival Moses’ burning bush or Jesus’ transfiguration. No eyewitnesses, no corroboration, just one man’s vision. Skeptics rightly see drugs, epilepsy, or demonic delusion, but the real scandal is the theft.
From Here Muhammad Got the Idea of the Buraq: Pre-Islamic Pagan Rip-Offs
Here’s the smoking gun: the Buraq isn’t original. Arabia was a myth-mixing bazaar—Persian Sassanids, Byzantine Greeks, Syriac Christians, Hindu traders via sea routes, Jewish exiles. Muhammad absorbed it all orally. Zoroastrian texts predate Islam by millennia, featuring winged horses carrying divine envoys to the sky, identical to the Buraq‘s role. Sassanid Persia, Islam’s early nemesis and model, brimmed with such lore.
Striking Parallels: Buraq-Like Creatures in Ancient Mythologies
Greek Pegasus: Winged horse from Medusa’s blood, flies gods like Bellerophon to Olympus. Sound familiar? Horizon-hopping, divine transport—check.
Hindu Garuda: Vishnu’s massive eagle-horse hybrid, lightning-swift across realms. Arabian poets knew Vedas via trade.
Jewish Enoch: Book of Enoch (circulating pre-Islam) has Enoch on fiery steeds or chariots to heaven—fiery like lightning Buraq.
Pre-Islamic Arab jinn rode winged camels; Nabatean carvings show winged equids. Syriac Apocalypse of Paul (4th century): white-winged beast hauls souls skyward. Persian Simurgh: elephant-sized winged wonder guiding heroes cosmically.
William Muir, Patricia Crone, Theodor Nöldeke—all demolish the myth. Muhammad, no hermit, heard these at fairs. Kaaba’s Hubal (moon god) linked to sky mounts. No divine originality—just osmosis from satanic sources. Islam apologists whine coincidences, but patterns scream copycat: white, winged, fast, heavenly ferry. Archaeology confirms: Petra’s winged lions, Palmyra’s horse-angels.
This isn’t universal archetype; it’s Muhammad’s con, blending idols into monotheism to hook pagans. The Buraq proves Islam’s demonic deceit—Allahu Akbar? More like Satan laughs.
Dismantling Apologetics: Why the Buraq Myth Crumbles Under Scrutiny
Muslim defenders claim independent revelation, but Quran’s vagueness (no Buraq mention!) forces reliance on contradictory hadiths. Bukhari vs. Muslim—size debates? Winged or not? Pathetic. Orientalists like Ignaz Goldziher trace direct Syriac influences; Crone nails Arabian syncretism.
Evolution? No—deliberate lift. Muhammad mocked pagans for idols, then birthed his own: Dome of Rock mocks Temple Mount. Buraq Wall? Stolen sacred space.
Modern twists? NASA Mi’raj physics? Desperate. Films glorify it, but truth outs: Buraq is folklore fodder, like Zeus’ eagles.
The Satanic Core of the Buraq Fraud in Islamic Eschatology
Deeper horror: Buraq recurs in end-times hadiths, ferrying Muhammad on Judgment Day. This cements Islam’s apocalyptic cult—jihad-fueled doomsday bait. Borrowed from Zoroastrian eschatology (flying mounts in final battles), it fuels ISIS fantasies today.
Islam’s purity? Buraq sweats musk for jannah bordellos—pederast paradise. Satanic inversion of Christianity’s humble donkey.
Buraq in Today’s Deluded World: From Cartoons to Caliphate Dreams
Animations for kids, Al Jazeera epics—Buraq indoctrinates masses. Space Muslims invoke it; Turkey’s Erdogan builds Buraq mosques. Scholarship? Western politically corrects dodge; brave voices like Robert Spencer expose the fraud.
Conclusion: The Buraq—Proof Islam Is Pre-Islamic Paganism Repackaged
From Persia’s winged horses to Greece’s Pegasus, the idea of the Buraq originated here—in the satanic stew of pre-Islamic flying creatures that Muhammad stole wholesale. This isn’t prophet; it’s plagiarist, demon-possessed charlatan forging a fraud that’s enslaved billions. Islam’s Buraq mirage dazzles the blind, but truth reveals: towering above donkey-smaller-than-mule nonsense is the deception tower—Allah as pagan potpourri, Quran as crib sheet. Wake up: reject this satanic scam, embrace real light. The Buraq doesn’t soar to heaven; it plummets Islam into hellish history’s dustbin.
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